Architecture in Yugoslavia - MoMA

Toward a Concrete Utopia: Architecture in Yugoslavia, 1948–1980
Through January 13, 2019 Moma - The Museum of Modern Art

The Battle of Sutjeska Monumentdesigned by sculptor Miodrag Živković.
This spomenik at Tjentište, Bosnia commemorates the fallen fighters of the Battle of the Sutjeska, which took place from May 15th to June 16th, 1943.

Situated between the capitalist West and the socialist East, Yugoslavia’s architects responded to contradictory demands and influences, developing a postwar architecture both in line with and distinct from the design approaches seen elsewhere in Europe and beyond. The architecture that emerged—from International Style skyscrapers to Brutalist “social condensers”—is a manifestation of the radical diversity, hybridity, and idealism that characterized the Yugoslav state itself. Toward a Concrete Utopia: Architecture in Yugoslavia, 1948–1980 introduces the exceptional work of socialist Yugoslavia’s leading architects to an international audience for the first time, highlighting a significant yet thus-far understudied body of modernist architecture, whose forward-thinking contributions still resonate today.

Uglješa Bogunović, Slobodan Janjić, and Milan Krstić. Avala TV Tower.
1960–65 (destroyed in 1999 and rebuilt in 2010). Mount Avala, near Belgrade, Serbia. Exterior view.
Photo: Valentin Jeck, commissioned by The Museum of Modern Art, 2016.

The exhibition includes more than 400 drawings, models, photographs, and film reels from an array of municipal archives, family-held collections, and museums across the region, and features work by important architects including Bogdan Bogdanović, Juraj Neidhardt, Svetlana Kana Radević, Edvard Ravnikar, Vjenceslav Richter, and Milica Šterić. From the sculptural interior of the White Mosque in rural Bosnia, to the post-earthquake reconstruction of the city of Skopje based on Kenzo Tange’s Metabolist design, to the new town of New Belgrade, with its expressive large-scale housing blocks and civic buildings, the exhibition examines the unique range of forms and modes of production in Yugoslav architecture and its distinct yet multifaceted character.

More info: moma.org

Berislav Serbetic and Vojin Bakic. Monument to the Uprising of the People of Kordun and Banija. 1979–81. Petrova Gora, Croatia. Exterior view. Photo: Valentin Jeck, commissioned by The Museum of Modern Art, 2016

Tilda Swinton sleeps at MoMA

Tilda Swinton sleeps in glass box for surprise performance piece at Museum of Modern Art As part of her installation 'The Maybe,' the actress napped in a transparent box full of cushions.  Read more
Tilda Swinton debuted "The Maybe," a collaboration with artist Cornelia Parker, in 1995 in London, and later reprised it in Rome.

Marina Abramović: The Artist is Present

Marina Abramović: seductive, controversial, fearless, outré. Her retrospective at the Museum of Modern Art (March - May 2010) featured an extraordinary performance, experienced by 750,000 people, many of whom waited hours for the chance to sit silently across from her at a small table, where she remained for 7½ hours daily, without eating, drinking, or moving. The intensity of her gaze, the intimacy of the act (paradoxically in a huge, brightly lit room, filled with onlookers) moved some to tears and other acts of extreme emotion. Matthew Akers’s film records the artist as she prepares herself physically and spiritually for the ordeal -- as might be expected -- with tremendous discipline, humor and guile. With comments by MoMA curator Klaus Biesenbach, art critic Arthur Danto, gallerist Sean Kelly, and hundreds of members of the public (including James Franco) who were fortunate enough to attend this landmark event.

You can watch it on Avro: Close up. It is extraordinary and fascinating as always.

More information here: http://marinafilm.com/