ARNHEM FASHION MASTERS
4 X UP-CLOSE AND PERSONAL IN PARIS
On Thursday 3 March, there master design students and one alumnus of ArtEZ University of the Arts Arnhem presented their highly personal visions on the future of fashion in salon presentations at the Atelier Néerlandais during Paris Fashion Week. Entitled “Arnhem Masters in Fashion”, the new generation of the institute proved that an impactful presentation is not reserved for big catwalk shows.
Designers Sunna Örlygsdóttir, Hee Kim, Lisa Forster
and alumnus Simeon Morris presented their new fashion proposals to an audience of professionals
from the vast field of fashion and beyond. The audience was confronted
with their different visions and ideas in an ongoing presentation of the
designers collections.
Mark van Vorstenbos, head of the department: “Now, more than ever, the fashion system is in need of fresh proposals. The personal visions of our Masters in Fashion were presented in a very intimate way, facilitating conversation in an atmosphere of openness and inclusivity; the audience was invited to take more than one look at the garments and exchange ideas with the designers”.
The ArtEZ fashion design master aspires to educate fashion professionals who from a highly personal fascination, critically interrogate their own unique handwriting as fashion makers in relationship to the current design discourse to seek out both their relevance and their additional value through research and design. With Arnhem Fashion being founded over 60 years ago, the cultural heritage is enormous. Being positioned outside the fashion establishment, each student is offered a wide open space to explore and develop his or her own refreshing idiosyncrasy.
www.ArtEZ.nl
photography: J.W. Kaldenbach
Showing posts with label Simeon Morris. Show all posts
Showing posts with label Simeon Morris. Show all posts
Friday, 4 March 2016
Sunday, 24 May 2015
Simeon Morris at FASHIONCLASH Festival 2015
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| Bodian collection 2013 |
Q&A with Simeon Morris
How would you describe your work ? What is your technique? Have you shown your collections before, if so, where ?
My current collection is an exploration of geometric forms and their interaction with the body beneath. With volumes originally created by draping over a wooden frame, I moved away from traditional pattern cutting processes in order to find a new silhouette. At the same time, I am interested in story telling and the way in which women are represented in western media. Craft and workmanship are a strong element in my work. In this age of technology creep, I continue to believe that a needle and thread are the best way to connect two pieces of fabric together. I am not anti technology, but believe it must always serve creativity and artistic content, not the other way around. I aspire to create a beautiful, truthful product that is modern while founded in the centuries old tradition of sewing craft. With respect to the current state of the industry, I am investigating more sustainable ways to produce clothes, starting with the fabrics I use, for example Vegetable tanned leather.
What is your most name worthy achievement up to now in relation to fashion?
My experience includes working for a number of renowned designers, including Alexander McQueen in the late 90’s and Hussein Chalayan, amongst others. While working for Fee Doran I sewed the famous white hooded dress designed for and worn by Kylie Minoque in her Can’t get you out of my head music video.
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