For the fall 2019 collection, Rick Owens collaborated with the 18-year-old Salvia, a Vogue-profiled Instagram star who typically applies her skills to herself, posting eccentric images with additional digital manipulation. Rick Owens models appeared with face-modification makeup created by Salvia presenting a dark and alternative idea of beauty.
Thursday, 28 February 2019
Rick Owens - Fall 2019
For the fall 2019 collection, Rick Owens collaborated with the 18-year-old Salvia, a Vogue-profiled Instagram star who typically applies her skills to herself, posting eccentric images with additional digital manipulation. Rick Owens models appeared with face-modification makeup created by Salvia presenting a dark and alternative idea of beauty.
Thursday, 21 February 2019
Duran Lantink - Straight From the Sale Bins
Dutch designer Duran Lantink presented his 'Straight From the Sale Bins' project on behalf of the Netherlands during the International Fashion Showcase during London Fashion Week.
With this project he questions the permanent state of sale and discount in the fashion industry, casting a critical eye on the phenomena of Black Friday and the resulting sales riots. He also presented 0% Duran, his brand with which he creates fashion without production and refashions garments from discount sites or outlets, giving them a new appeal.
His presentation earned him a special mention by the jury
Photography by Jan Hoek.
With this project he questions the permanent state of sale and discount in the fashion industry, casting a critical eye on the phenomena of Black Friday and the resulting sales riots. He also presented 0% Duran, his brand with which he creates fashion without production and refashions garments from discount sites or outlets, giving them a new appeal.
His presentation earned him a special mention by the jury
Photography by Jan Hoek.
Wednesday, 6 February 2019
Collectie Arnhem 2019
UNLOCK, BECOMING
There is a place where girls and boys, with each passing year, grow more serious and more dull. Among the grey confines of their grey, grey buildings and their grey, grey offices, they get increasingly engulfed in a sea of responsibilities, labels, expecta- tions, judgements and social restrictions. What once were mon- sters under their beds became monsters under their desks, mon- sters waiting with them at the bus stop, monsters behind them in the queue for the ATM, sulking and brooding all around them.
One day, a peculiar few decided to leave this fate behind to seek a better fortune. They packed their trunks with their most precious and their most curious belongings, onwards to a journey to discover an alternative way of living, an alternative way of be- ing. Hopeful and ambitious, they start to walk, to trudge, to plod far, far away from the greyness and the dullness. So far, so wide, they even wander all the way to the other end of time. Through many a marsh, through many a field, resting among the hay bales, the thicket and the shrubbery.
During their pilgrimage, they are followed by an omnipres- ent looming darkness, reminding them of their former life. On their long winding path, they encounter an otherworldly spirit releasing them from all fears and entering them into a foolish dream state, enabling them to discover their layered, ultimate true self. Elevated by a sense of absolute confidence, the foolish dream- er with a fetish for mother nature arose.
With the guidance of their new, mystical friend, they are taught to wield the armour of their choice, to master it and use it with care and conscientiousness. They brandish their new found shields towards the threatening cloud of gloom, causing it to scarper frantically and frenziedly, startled to be so suddenly chal- lenged. As it withdraws, the monsters of the mundane pull out their claws and instantly disappear.
In celebration of this victory, each individual has now the strength and the bravery to embrace their peculiarity and return to their prior existence. As they return to town, they jubilantly parade and march in front of the gazing grey townsfolk, who scratching their heads in astonishment, pondering over their own predicament.
Collectie Arnhem is a collective of 20 third year fashion design students from ArtEZ University of the Arts expressing their own view on fashion today. Collectie Arnhem 2019 was presented on the 30th January in Loods 6 in Amsterdam.
Photography by JW Kaldenbach
There is a place where girls and boys, with each passing year, grow more serious and more dull. Among the grey confines of their grey, grey buildings and their grey, grey offices, they get increasingly engulfed in a sea of responsibilities, labels, expecta- tions, judgements and social restrictions. What once were mon- sters under their beds became monsters under their desks, mon- sters waiting with them at the bus stop, monsters behind them in the queue for the ATM, sulking and brooding all around them.
One day, a peculiar few decided to leave this fate behind to seek a better fortune. They packed their trunks with their most precious and their most curious belongings, onwards to a journey to discover an alternative way of living, an alternative way of be- ing. Hopeful and ambitious, they start to walk, to trudge, to plod far, far away from the greyness and the dullness. So far, so wide, they even wander all the way to the other end of time. Through many a marsh, through many a field, resting among the hay bales, the thicket and the shrubbery.
During their pilgrimage, they are followed by an omnipres- ent looming darkness, reminding them of their former life. On their long winding path, they encounter an otherworldly spirit releasing them from all fears and entering them into a foolish dream state, enabling them to discover their layered, ultimate true self. Elevated by a sense of absolute confidence, the foolish dream- er with a fetish for mother nature arose.
With the guidance of their new, mystical friend, they are taught to wield the armour of their choice, to master it and use it with care and conscientiousness. They brandish their new found shields towards the threatening cloud of gloom, causing it to scarper frantically and frenziedly, startled to be so suddenly chal- lenged. As it withdraws, the monsters of the mundane pull out their claws and instantly disappear.
In celebration of this victory, each individual has now the strength and the bravery to embrace their peculiarity and return to their prior existence. As they return to town, they jubilantly parade and march in front of the gazing grey townsfolk, who scratching their heads in astonishment, pondering over their own predicament.
Collectie Arnhem is a collective of 20 third year fashion design students from ArtEZ University of the Arts expressing their own view on fashion today. Collectie Arnhem 2019 was presented on the 30th January in Loods 6 in Amsterdam.
Photography by JW Kaldenbach
Sunday, 27 January 2019
KIDILL - Tokyo Punk Chic
KIDILL FW 2019 collection is a collaboration with the vocalist “Siouxsie Sioux” of legendary UK punk band, “Siouxsie Sioux&The Banshees”. Rare images photos of the “Siouxsie Sioux”, photographed by Seila Rock in 1975-78 are used throughout the collection.
http://www.kidill.jp
Saturday, 26 January 2019
Yiğit Can Alper
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| Prada A/W 19 |
Yiğit Can Alper recently illustrated Pitti Uomo and Milan Menswear A/W 19 for Showstudio. http://instagram.com/ycalper
Flora Miranda - Deep Web
Flora Miranda presented her Spring/Summer 2019 collection “Deep Web” during Paris Haute Couture Week.
'Deep Web' collection is Flora’s visualization of her very own approach to the idea of ‘Machine Learning’ and is dedicated to explaining the process of teaching a machine what clothing is and how it is produced.
'Deep Web' collection is Flora’s visualization of her very own approach to the idea of ‘Machine Learning’ and is dedicated to explaining the process of teaching a machine what clothing is and how it is produced.
Flora Miranda 'Deep Web' Supercut from Flora Miranda on Vimeo.
Inspired by American transgender artist Amanda Lepore’s image, each design of the collection plays with feminine body shape. The dresses generically reproduce the most stereotypical, current image of 'femininity', playing upon the strict categorisation a computer implies, and the way computers deal with a fine variety of genders. With Lepore’s unique shape, Flora gives the computer a model to learn with, while teaching it how clothing works.
Flora Miranda has teamed up with the Internet artist Signe Pierce who will perform in front of an informative keynote presentation composed by the Swiss artist Simone C. Niquille.
Flora Miranda is an Austrian fashion designer, based in Antwerp/Belgium. Throughout her work she explores physical border experiences that take place in a virtual or actual reality.
http://floramiranda.com
Photography courtesy: Laetitia Bica
Friday, 25 January 2019
Smile Now, Cry Later - Maison the Faux
MAISON the FAUX and Robert Fox are presenting their take on Los Angeles, the city of the fake, for the second time. Heavily influenced by the presence of Hollywood and anything that involves constructed realities and emotions; Robert Fox and MAISON the FAUX have created a film questioning the authenticity of acting.
More information: https://www.maisonthefaux.com
More information: https://www.maisonthefaux.com
Wednesday, 23 January 2019
Polimoda Rendez-Vous
On Wednesday December 12th, the Polimoda Rendez-Vous series hosted a guest lecture by my on behalf of FASHIONCLASH.
Within the artistic context FASHION MAKES SENSE. My Rendez-Vous talk digged into how FASHIONCLASH stimulates fashion audiences to consider the state of the industry: “What is the importance and role of fashion in our society, and how can fashion contribute to our well-being and a better world?”
"Are you willing to make some kind of a difference? This isn't just a political idea, you can make a difference by creating something so beautiful that you allow people to detach from reality. And even if it's just one person you touch, then it's worth making" — Branko Popovic
More information: https://www.polimoda.com/rendez-vous-branko-popovic
Photography: Polimoda
Tuesday, 22 January 2019
Iris van Herpen - Shift Souls
Iris van Herpen presented her spring 2019 couture collection at the Musée des Beaux-Arts in Paris.
"Shift Souls" is inspired by DNA engineering and early astronomy, Harmonia Macrocosmica (a 17th-century star atlas.
Made in collaboration with New York-based artist Kim Keever, the ensembles contained layers of translucent organza prints on them with kinetic patterns and scientific, artistic and futuristic references.
"I looked at the evolution of the human shape, its idealization through time and the hybridization of the female forms within mythology. The way imagination and the fluidity within identity change in Japanese mythology gave me the inspiration to explore the deeper meaning of identity and how immaterial and mutalble it can become within the current coalescence of our digital bodies”
"Shift Souls" is inspired by DNA engineering and early astronomy, Harmonia Macrocosmica (a 17th-century star atlas.
Made in collaboration with New York-based artist Kim Keever, the ensembles contained layers of translucent organza prints on them with kinetic patterns and scientific, artistic and futuristic references.
"I looked at the evolution of the human shape, its idealization through time and the hybridization of the female forms within mythology. The way imagination and the fluidity within identity change in Japanese mythology gave me the inspiration to explore the deeper meaning of identity and how immaterial and mutalble it can become within the current coalescence of our digital bodies”
Saturday, 19 January 2019
James Blake - Assume Form
James Blake has released another stunning studio album, Assume Form.
As previously reported, the new record features a slew of guests: André 3000, Travis Scott, Metro Boomin, Moses Sumney, and Rosalía. Listen to it in full below. Assume Form is Blake’s fourth studio album. His last full-length, The Colour in Anything, was released in 2016.
As previously reported, the new record features a slew of guests: André 3000, Travis Scott, Metro Boomin, Moses Sumney, and Rosalía. Listen to it in full below. Assume Form is Blake’s fourth studio album. His last full-length, The Colour in Anything, was released in 2016.
Schepers Bosman AW 2019
Schepers Bosman presented their autumn/winter 2019-20 menswear collectioninspired by the wotk of the Dutch architect Pierre Cuypers
Schepers Bosman took the work of Dutch architect Pierre Cuypers (1827-1921) as the starting point for AW19. Besides the Rijksmuseum and the Amsterdam Central Station, his work also includes numerous churches. He made architecture, more than that he designed buildings. Emphasizing or concealing building elements by the use of colour, material and template prints, was translated by Schepers Bosman into a collection.
Seams and finishings have been made visible and treated as decoration. Pattern parts are emphasized by placing different materials and colours next to each other. After research at the Cuypershuis, the decoration templates archive was used as a source for handmade patchworks and vinyl prints. Minimal construction versus decoration. The collection consists of voluminous overcoats, silk finished trousers, oversized shirts, detailed sweaters, overalls and handstitched scarves. These items are made of silk, crepe wool, mohair, Japanese nylon, corduroy and heavy tricots.
The Royal Waiting Room The AW19 images are shot in the Royal Waiting Room at the Central Station of Amsterdam. The space designed by Cuypers was specially opened for this occasion, so that the collection is immediately placed in the image of the inspiration.
https://www.schepersbosman.com
Schepers Bosman took the work of Dutch architect Pierre Cuypers (1827-1921) as the starting point for AW19. Besides the Rijksmuseum and the Amsterdam Central Station, his work also includes numerous churches. He made architecture, more than that he designed buildings. Emphasizing or concealing building elements by the use of colour, material and template prints, was translated by Schepers Bosman into a collection.
Seams and finishings have been made visible and treated as decoration. Pattern parts are emphasized by placing different materials and colours next to each other. After research at the Cuypershuis, the decoration templates archive was used as a source for handmade patchworks and vinyl prints. Minimal construction versus decoration. The collection consists of voluminous overcoats, silk finished trousers, oversized shirts, detailed sweaters, overalls and handstitched scarves. These items are made of silk, crepe wool, mohair, Japanese nylon, corduroy and heavy tricots.
The Royal Waiting Room The AW19 images are shot in the Royal Waiting Room at the Central Station of Amsterdam. The space designed by Cuypers was specially opened for this occasion, so that the collection is immediately placed in the image of the inspiration.
https://www.schepersbosman.com
Tuesday, 15 January 2019
Palomo Spain - Wunderkammer
Palomo Spain campaign for the Spring/Summer 2019 “Wunderkammer” collection, photographed by Kito Muñoz.
More info: www.palomospain.com
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