Pagina's

Thursday, 28 June 2018

We Make M-ODE

Bas Kosters
Under the name 'We Make M-ODE': a brand new event was organized by the M-ODE Foundation from 20 to 24 June in Amsterdam.  The event was part of the We Make The City festival and takes place from 20 to 24 June at various locations in Amsterdam.
The schedule contained talks, masterclasses and collection presentations of designers like Bas Kosters, Ajbilou Rosdorff, Sophie Roumans, Merel van Glabbeek, Judith van Vliet x Amber Ambrose Aurèle, Lhana Marlet and Hacked By_.
We Make M-ode is an event where the sustainable aspect is central which goes in line with the mission of M-ODE to provide necessary support to Dutch fashion designers.

The idea behind M-ODE comes from Peter Leferink: senior lecturer in fashion and design at the AMFI and, among others, former member of Amsterdam Fashion Week advisory board and Iris Ruisch, former artistic director of Amsterdam Fashion Week. Both no stranger to the Dutch fashion scene, with the first edition of We Make Mode, they put a valuable fashion event in The Netherlands.

http://m-ode.net

Take a look at the picture report, all images by brankopopovicblog.

Thursday, 21 June 2018

God is a Woman?!

Mette Sterre
The theme for the 10th edition of FASHIONCLASH Festival was  ‘Fashion My Religion!’.
Within this framework, ‘God is a Woman!?' project is initiated. For this project, FASHIONCLASH selected ten designers to create an outfit based on research related to this theme. ‘God is a woman!?’ invited the designers to explore gender roles in religion, examine existing intolerances and question how fashion can play a role to increase inclusiveness in religion: it is a project on social issues and patriarchal systems.

All the designs where exhibited Centre Céramique during the 10th edition of FASHIONCLASH Festival.














God is a Woman?! Participants
Photography: Sem Shayne & Anton Fayle
Hair: Sigrid Eiting at KEVIN.MURPHY
Make-Up: Rachel Ritzen / Ellis Faas

CLASH Project 2018

Simone Schuffelen
CLASH Project
Fashion By Non-Fashion Designers

Since the beginning of FASHIONCLASH Festival in 2009, CLASH Project invites ten artists and designers (all non-fashion designers) per year to translate their work into wearable catwalk pieces. Participants from different art and design disciplines are challenged to transfer their practice, both materially and conceptually to a different medium. CLASH is the perfect opportunity to step out of your artistic comfort zone – to play and to experiment with other forms of art. The participants are professionals who represent various artistic disciplines, such as fine arts, product design, jewelry, performance and photography. All disciplines except fashion are possible. The CLASH project has become an iconic project, forming one of the highlights of the FASHIONCLASH Festival, and its outcome is always refreshing, captivating and trendsetting. 

More info: www.fashionclash.nl

Tuesday, 12 June 2018

Artez Graduation Show 2018

Emma Wessel
Artez Graduation Show 2018 took place at Musis in Arnhem. The space, with its very and hard to beat own ambiemance, was successfully transformed by Maison the Faux's fresh art direction set design, giving the whole show more edge.

The show combined both BA and Master graduation. In addition, Collectie Arnhem 2018, the third year collaborative project was presented. The overall smooth show opened with first year outfits, followed by promising second year project Luxury Galore.

The four master students appeared in between sixteen BA collections. Emma Wessel's quirky show, an eyewear collection presented on giant head prints wearing the glasses, stood out.
The MA collections from Manon Gondek and Gala Borović contained beautiful textiles and material combinations.
The BA collections varied in consistency, nevertheless the strong signature of Artez was apparent throughout the line up, showing their playful material manipulation and textile craftmanship. Among the favourites where collections by Mehdi Mashayekhi, Maria van Steenoven, Dennis Schreuder, Alicia Minnaard, Anna Bernal and Douwe de Boer.

Take a look at the highlights and my picture report.

Monday, 11 June 2018

EMBRACING EXCHANGE

EMBRACING EXCHANGE showcased the best current design from Cologne, Maastricht and Eindhoven.

The ten-day exhibition showed state-of-the-art design from these three areas and took place in the ‘Eiffelgebouw’. During the exhibition period, various events where programmed by creatives from the local creative industry.
The exhibition consisted of six different 'collections' compiled by curators Maurer United Architects, Sabine Voggenreiter, Leonne Cuppen and Chequita Nahar.

'Material Designers' showed Eindhoven and South Limburg designers with the focus on materials. 'Generation Köln' showed a new generation of Cologne designers. 'Space Invaders' shows the work of Limburg (interior-) architects. 'Southern Treasures' shows the best alumni of the Maastricht Academy of Fine Arts and Design. 'Jwls Jwls' showed contemporary jewelry. 'Images Imagined' showed graphic works.

The exhibition features jong and established designers such as Paul Koenen, Marit van Heumen, Anne Buescher, Boy Bastiaens, Ted Noten, Moniek Vierling, Maurice Mentjens, Anna Davies, Iris Claessens, Kasper Hamacher, Woodjai Lee, Anasatasia Eggers and many more.

More info http://embracing.exchange/

Take a look at my photo report from some impressions



State of Fashion 2018 | Searching for the new luxury

Iris van Herpen
From Friday 1 June until Sunday 22 July,  State of Fashion displays the search for the new luxury.

Curated by José Teunissen, the Dean of London College of Fashion/UAL, and Professor of Fashion Theory, State of Fashion explores how we can apply fashion’s imaginative, seductive and innovative power to create a more futureproof fashion cycle.

The exhibition shows pioneering designers and thinkers who are proposing innovative and sustainable ideas and designs that are contributing to a better world.
The main question is how can we redifine the meaning of luxury in the context of the world of today, facing sociatel and environmental changes.

The exhibition features several components offering diverse approaches to the subject. The journey starts with innovative future proposals with projects from Yuima Nakazato, Rafael Kouto and Iris van Herpen. Further in the exhibition one can discover new business models such as Matti Liimatainen (Self-Assembly) and work by pioneers like Bruno Pieters (Honest By). The exhibition also shows how cross-disciplinary collaboration and research between science and fashion education can lead to new opportunities through material experiments. One of the strongest features is the contribution by Vivienne Westwood who in her later career still stands in the frontier to fight for a better world.
Each Friday, during the exhibition period, The Whataboutery debates are organized providing a platform for dialogue about various topics related to the theme of State of Fashion. 
For more information: https://stateoffashion.org


State of Fashion
The four-yearly fashion event State of Fashion focuses on a sustainable future. As an international and interdisciplinary platform for ideas, experiment, research and collaboration, State of Fashion unites designers, companies and fashion education with the shared ambition to make their industry more future-oriented, more fair, more environmentally friendly and more humane.

Take a look at my picture report


Yuima Nakazato

Saturday, 2 June 2018

Encounter with Rita Sá

Meet, Rita Sá, young Portuguese designer, who has won participation at FASHIONCLASH Festival 2018 at the previous edition of Sangue Novo at ModaLisboa - Lisboa Fashion Week.

She will present her collection “Glass of Ceiling” in Maastricht on Saturday June 16.
Get your ticket here

interview by Liliana Pedro

What’s fashion for you?
It’s the perfect tool to transmit emotions, thoughts and feelings. With no shadow of a doubt, that fashion was the best way that I found to show what I think and what I feel. Since the very beginning of the creative process till the last touch before the models walk down the runway, I put myself in everything that I do. Each process phase turns into a discover very personal.

What made you fell in love with fashion at the first place?
It was always fashion. I can’t remember of anything else. My family has a great skills for arts and it was always influenced my interests. With time, the ideas will mature and we will be more sure of what moves us.

Fashion is growing up a lot and it’s becoming more global. In your opinion, which challenges faces a fashion designer nowadays? In what concerns to the difficulties that a young designer finds nowadays, most of them don’t depend on our work, but on external factors. In my opinion, the industry still doesn’t look to the young designers as professionals. From my experience, when I have to develop a collection I don’t aim to develop serial pieces and that's what the industry is worried about, to reaching the numbers. I see the industry still very inflexible to work with designers in their very careers.

Imagine that you had to spend a day with a fashion designer. Which one you would rather spend some quality time? Simon Jacquemus.

Do you prefer the 80’s or the 90’s? 90’s.

What’s the best and the worst fashion trend ever? I think all trends one day become "the worst trends"! Because that's what they are after all: trends !! You may like it for a season, but 4 seasons later you look back and think “hmmmm".

Are you a stiletto girl or a sneaker girl? Sneaker girl.

Name an artist/band you never get tired of listening to. Alt J.

What’s your favorite tv show? I don’t watch tv!

Your latest collection has the name “Glass of Ceiling”. Where this idea came from?
 
“If you have a glass ceiling, don´t throw rocks in the air” is definitely the motto for the collection “Telhados de Vidro” which describes the game played by those who desperately try to be something they are not; masked hypocrites who feel the need of ostentation in a “make-believe” world. Attacking others for problems that they themselves have, each individual from the collection choose to believe that it is preferable to be a false somebody than a true nobody. Forming a gradational process from the first to the last look, the collection presents its first individual who seems to be impervious to anything surrounding him and not afraid of showing his vulnerabilities or weaknesses. The second individual is clearly uncomfortable with this idea and tries his best to show his superiority, even at the cost of being someone he’s not. From here on, every individual tries to impose his superiority upon his predecessor, trying hard to hide all their weaknesses in an illusion game where nothing is what it seems, manipulating the truth and revealing only what is pleasant to the eye. However, what is shown has no real utility and therefor is essentially futile. As we continue, there seems to be a lot of difficulty in controlling the flamboyance created within these individuals and as a result, instead of seeing the silhouettes growing, giving the individual height, they seem to have dropped suddenly. New volumes are now secured by little details which still prevail and the vulnerabilities which were hidden until now are completely exposed. The blue color used reminds us of plastic bags, creating the idea of something that is expendable.

How much time did you spend in putting this collection alive?
From the search for the concept until the creative development was completed I took about three months, and for the preparation about 2 months.

How did you feel when you knew that you will be attending at FASHIONCLASH Festival?
I confess that after so many months of work and a day as fast as that, it is difficult to have a notion of what is happening when we are given a prize like FASHIONCLASH. It is only in the "aftermath" of the parade that we are becoming aware of the importance of what has happened to us. But it is undoubtedly very gratifying and I think the biggest victory is, without a doubt, a few days after the parade we calmly take a look at our work and feel proud of what we have done.

Where do you see yourself in 10 years from now on? I hope that I can achieve all of my goals and still be lucky to continue in the place where I’m happy, close to the ones that make me happy.  

Instagram: @ritasa.brand